British GT

Photographing the British GT Championship

Donington Park

A general rule with any photography the subject matter can make or break a photo. That picture of Freddie Mercury at Live Aid is going to generate more interest than the War Lords of the Rock Apocalypse playing the Brampton Park Rugby Club. 

The general public have a voracious appetite for the dramatic and unusual, especially on social media. So if that’s where your images end up you need to be posting an interesting subject that is going to make joe public stop scrolling down and take a look.
Bentley Continental British GT
In motorsports that can be difficult. Being in the right place at the right time helps but that has a lot to do with luck and there is not a lot I can do to improve your luck, except sell you some genuine lucky heather: PM me for payment details! 

What you can do to seize the attention of joe public is to shoot interesting subject matter that has been captured, framed and exposed well.
Mercedes-AMG British GT
The British GT race series has great subject matter so we went along to Donnington Park to photograph arguably the most diverse, interesting and visually appealing race series in the UK, apart from the World Endurance Championship. 

The WEC only makes a fleeting visit to the UK and is well worth photographing as well. Below are a few pictures from the Silverstone round captured by PistonClicker Keith Adcock as a comparison to the British GT series.
Like the WEC there are lots of visually different cars racing around the track at the same time. This is great for the spectator photographers as there is something different coming round the corner every time you look up. 
So for the photographers who want to know, let’s look at how I captured these images. For a while now I’ve been wanting to try a technique that I use in DSLR filming. That technique is using the Auto ISO feature. 

Some of the older cameras I use, such as the Nikon 2DX, don’t handle high ISO well but the more modern ones do. You will need to check out your kit to see if Auto ISO is right for you. 
If you look at the pictures taken at the Melbourne loop through the wire, they were taken at 09:30 am and there is a large shadow being thrown across the track (cropped out of these pictures). This is not ideal because as you track the cars the metering will change your aperture when you are in shutter priority. 

As the shadow is darker the aperture will open, the exposure might be correct now but with a wider aperture you get less depth of field. This results in the front of the car being sharp and the rear not so, not ideal unless that's the look you are going for.
The best way to counteract this is to go full manual as nothing will then adjust itself. However, you will need to change the exposure as you go from dark to light parts of the track to get a correctly exposed image - very difficult to do when you have a fast moving subject and you are trying to smoothly pan with that vehicle. 
British GT
The easiest way to do this is engaging Auto ISO. This is what I did and left it engaged all day. If you go back to shutter priority the camera will go back to changing the aperture and the ISO, so I stayed in manual to make sure I had the depth of field required for the shot I was taking. 

Looking back at the shots the ISO ranged from 100 to 900, not a massive change but the images are constant and well exposed with no visible degradation from the higher ISO settings.
British GT
This head on shot of the KTM is 900 ISO at 360mm, f13 at 500th of a second which gives me about 4m of in focus car. If you can't work out the maths in your head for depth of field there are calculators you can down load for free for your smart phone. Or, if you have an old school lens, there will be a window on it to show you how much of your image will be sharp. 

I use all of these and the rather quick and dirty focus on the track where the car will be for your picture. Look in the window and adjust the f stop as needed.   
British GT
Not a conclusive test, but now as autumn is approaching and the sun is getting lower and the shadows longer, it will be a process that I will definitley be trying out again, especially for the rallying later in the year. 

If you have ever shot at Hall Bends at Cadwell Park in November you will understand why I want to perfect this technique. 
Enough of the photographic rambling. Let's look at the British GT Series and the cars that take part. Donington was the final of seven rounds, six being held in the UK and one round at Spa. There are two classes - GT3 and GT4 both of which run at the same time. 
AMG British GT
Within those classes there are many sub classes. To give you an idea, car 44 the Invictus Games Jaguar F-Type driven by Royal Marine veterans Steve McCulley and Paul Vice MC who were injured together on operations finished in 28th place. Lapped 7 times by the race winners, they were placed first in class, GT4 AM.  
British GT
Basically the Lambos and McLarens of GT3 are madder looking and faster than the Mustangs and Jags of GT4. It's not as simple as that but will do for 'Pub' knowledge. 
So let's look at some of the cars that were out on track. The first one is number 23 a 2018 Ford Mustang GT4 run by RACE Performance. This is my local team and I had the privilege of looking round the RACE HQ a few months back. 

Powered by a Roush Yates built 5.2 V8 it gets its power down to the rear wheels via a Hollinger 6 speed paddle shift gearbox. 
Unfortunately the Mustang was taken out by car 33 who lost control at the old Hairpin, cutting across the grass and re-joining just before Starkey's Bridge he scattered a pack of cars and leaving the RACE Performance Mustang nowhere to go. 

This resulted in a big front end impact ripping a wheel off the Mustang, ending its race. Talking to the RACE mechanics they said they will be stripping the car down to assess the damage but it could be game over for this race car.  
Mustang British GT
The GT4 race winners were Steller Performance’s Richard Williams and Sennan Fielding who converted pole position into a win with the R8 Audi, which was also the second win of the campaign for them. 
Audi R8 British GT
Crowned British GT champions in this class were Tom Canning and Ashley Hand who clinched the British GT4 title in car 97 the TF Sport Aston Martin V8 Vantage GT4.
In the GT3 class it was the stunning Balfe Motorsport's McLaren 720S GT3 driven by Shaun Balfe and Rob Bell who took the honours on the day. 
British GT
In a clean sweep for TF Sport, Graham Davidson and Jonny Adam came in 5th on the day, doing enough to be crowned the 2019 British GT3 champions in the #47 Aston Martin V8 Vantage GT4. At the last meeting they won at Brands Hatch so were given a 20 point penalty. 

This is one of the Championship rules that ensures close racing. There are mandatory pit stops during the race for driver changes and these previous "success" penalties are implemented next time out, keeping the race interesting for the spectator, if a little frustrating for the crews.
British GT
The GT cars were not the only racing on show over the week BRDC British F3 Championship, BRSCC Sports & Saloon Car Trophy, Ginetta G40 Cup, MINI Challenge - JCW, Protyre Motorsport Ginetta GT5 and the Challenge and Volkswagen Racing Cup. Pictured here are a few of the winners from those races and some of my favorite shots of the other cars racing.
To capture these images I was using the Nikon D4 with a Nikon 200 - 500mm. We will be testing this camera out over the next few meetings but first impressions are good. 

This shot of Matthew Wilson in the Mini Challenge was one of many taken at a 30th of a second that came out well. Maybe kit does enable you to take a better photograph.  
Mini British GT
You can share this report with your friends on social media.
And here are a few that didn't make the edit but worth a look.
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