Sebring International Raceway

Sebring International Raceway – photographers guide


A flat featureless former airfield in the middle of Florida should surely hold no interest for motorsport fans. Well, the same criteria apply to Silverstone so perhaps there is hope ! Of course there is – Sebring is one of the iconic US race tracks and holds its 12 Hour race for sports prototypes and GTs every March.

For 2019, it was announced that there would not only be the 12 Hour race for the US IMSA series, but also a 1,000 mile race for the World Endurance Championship. That meant it was high time to reacquaint ourselves with Sebring – visited previously in 2000, 2006 and 2013.
Using the track map below, you can see the sort of images that can be achieved at each location. In most cases, a 70-200mm zoom will give good results, but I also used the 200-500mm zoom. 

It is also worth noting that although the fences are low in most areas, the Armco / concrete walls are set away from the spectator fence. Even with my double step, there are some shots where these encroach – to illustrate this I have used a mix of cropped and un-cropped images.
Location A – the pits – in common with many US tracks, there are no pit garages as we might be used to at Silverstone or Brands Hatch. There are open backed pit areas (see later) and terracing above. 

For this year we purchased tickets allow access to the Gurney Terrace. This provides for the panoramic view above and the shots at night of the pedestrian bridges at either end of the pit-lane below. 

It’s not very good for clean shots of the cars on track as there is fencing but you can get an “interesting” image.
Location B – Turn 1 – a very high speed turn on the original concrete runway from Sebring’s days as an airfield. The hashtag #respectthebumps is entirely appropriate. 

The top cars run through here at seemingly unabated speed and it is a popular sport for TV and photographers alike. 

You will need to get to the fence between the motorhomes that line the most of the track and provide a typically American racetrack backdrop.
Fan grandstands are a regular feature of the type I was familiar with from Silverstone GPs in the 60s and 70s. With flags supporting car marques and, occasionally, politicians it makes for an excellent blurred background to a car at speed. If you can match the car to the flag – even better !
Sebring
Location C - Turn 2 into Turn 3 – the former is flat out kink, before the hard braking (and possibly out-braking and overtaking) into Turn 3. As the light starts to fade, you can better see the brake discs glowing here.
Location D – Turn 3 and 4 – there’s seating here giving a great view from Turn 2 to Turn 5 but is not really high enough to get over the fence. 

However, there are a number of photographer’s windows in the fence that were not being heavily used by the accredited media. The left hand photo shows the fence and the right hand photo shows the bottom of the window used to frame the shot.
The high fence ends to the left so there is a clean shot of the cars at or around the apex, or heading off to Turn 4
Location E – Turn 5 – a simple head on shot as the cars exit for the gently curving and quick run to Turn 7
sebring speedway
Location F – Turns 3 and 4 – take the bridge and turn left towards Turn 3 where there is a raised viewing area and a big screen. You can see the seating on the outside of the track referred to above. 
Then walk along the fence line to Turn 4 to get a shot of the cars in Turn 4, Turn 5 and away under the bridge. Yes, sometimes it does rain in Florida ! More on that story later !
Location G – walk along the outside of the track to between the two bridges where good panning shots may be obtained. Qualifying for the IMSA race was in bright sunshine …
Sebring international speedway
… but the race started on Saturday morning in that persistent drizzly November fashion we have in Britain. Once it started to dry, it did so quickly, however. I do like photographing racing cars in the rain though !
Location H – Turn 7 has a small seating area and allows shots under the bridge with the Sebring banner or cars braking for the turn. Here the Cadillac #5 is making a bid for the lead against the Mazda #77 early in the IMSA race
There’s an apex shot and a rear shot as the cars head towards the kink at the exit of the turn.
Having watched the start of the IMSA race here at 10.40 on the Saturday morning, we returned for the finish at 22.40 for some night shots. Unlike Daytona which has large areas of the track illuminated, Sebring has large areas of darkness. 
That only makes for better glowing brake discs !
Sebring
Location I – crossing the track by either of the bridges gives the opposite panning shot to Location G. This time you get trees and the main Sebring buildings in the background. The drag down from Turn 5 through 6 to 7 also provides for an overtaking spot. As you can see, when you get a couple of large GT cars overtaking there ain’t a lot of spare room.
Location J - on the inside of Turn 7 has the backdrop of the Seven Sebring hotel (with a view from the balconies to die for – for motorsport fans at least). You can also see the seating area at Location H. 

There’s also a scoreboard here – although online timing and scoring is also available on your mobile device.
Location K – on the run between Turn 8 and 9 and giving a view up to Turn 10. There’s another set of seating here and some shade (although not in exactly the same place). 

The more exuberant members of the crowd tend to build their palaces here with grandstands, flags and banners, generators, satellites, TVs, barbeques, fish tanks (yes !) and, still there from our 2013 visit, the Hooter Meter (not shown and something of a hangover from 1973 methinks …)
There’s also the Sebring cows, (the men in cow costumes were absent when we passed by), and the MudSharks … I’m told it used to get pretty wild in the infield area here back in the last century but has calmed down a bit.
Location L – Turn 10 – another hard braking and overtaking point. There’s a racing car mural on the wall of the building opposite and occasionally you can get an artic in the background of the photo which is slightly disconcerting !
As darkness falls, it gets even more interesting ! Glowing brake disks, exhausts and reflections from the lights all come into play.
There’s even a minimalist approach available !
Sebring
From the same location, you can turn around and follow the cars into Turn 11.
Location M – at Turn 12 there’s three distinct shots available – the “through the corner workers and fence” shot …
… the “panning shot with optional Dutch Tilt” …
… and the “going away from the camera” shot as the cars head towards Turn 13.
Location N – Turn 13 has a raised viewing mound and, if desired, aircraft in the background. Alongside the racetrack there is a working airport
Location O – no photos from 2019 but here’s one from 2013. There is a seating area and a view of the cars heading down towards Turn14 and 15. With the WEC cars using a temporary pit lane just beyond Turn 16, there was less access on the inside of Turn 15 and 16.
Location P - is the main pits where it is possible to view the action through the wire fence behind the pit boxes. In the first image, you can see the area the teams use between the pit wall (to the left of the awnings) and the pit area – not open during racing. 

For the supporting Michelin Pilot Cup race, there was a pit lane walk so I could photo my beloved Alfa Romeo Giulietta (mine isn’t quite like this TCR version).
During the IMSA race, I spotted Jordan Taylor returning to the team trailer in the paddock, the #11 Lamborghini team about to do a pit stop, Tristan Nunez taking a well-earned drink after his stint in the Mazda and Toni Vilander waiting for the Weathertech Ferrari to make its stop.
Location Q – just by the footbridge at pit in, there is a spot where you can get the cars coming out of Turn 17
Sebring
Location R – on the outside of Turn 17 there is a shot of the cars entering Sunset Bend – a long, bumpy corner - or of them heading up to Turn 1. You can see the original concrete runway first hand and even relatively early into the race there’s a lot of rubber marbles off the racing line.
The plan was to do the grid walks for the WEC and IMSA races but in the event the Saturday morning rain meant that we only did the former. 

Here we see - Safety Car driver (and former Le Mans winner) Yannick Dalmas, Darren Turner, Bruno Senna, iconic Gulf colours... 
...and a close up of the, oh so photogenic, SMP Racing BR1
I was hoping for a Sebring sunset, but alas for both races it was not to be, so you will have to make do with this one from 2013 – still not bad !
Some things to consider

• Most of the time will be strong sunshine, blue sky and deep shadows - think about where is best to shoot from (and use that sun block !) – but when it is sunny the light is gorgeous.

• It can rain – but it tends to be warm rain – still wet though.

• There is very little shade and not much seating.

• There’s a wider range of accommodation in the area these days or rent an RV and book your slot at the track.

• A double step is important – but even then, with the wide gap to the Armco, you may have to crop your photo.

• The early rain in the IMSA race left the cars dirty and dusty – taking away the shine of the bodywork.

• Consider a weekend at Sebring followed by a few days in Orlando – an hour or so north and enjoy the delights of Disney or – take in the NHRA Gatornationals / IndyCar at St Petes if the dates work out. Miami is not that far south.

• There is historic racing at Sebring in December – where historic can be as recent as the early 2000s sports protoypes.

Useful links



IMSA TV – live streaming race – 18-21 March 2020. Radio commentary on-site usually on FM / or stream via IMSA website

Any questions – contact us through our Facebook page

For history buffs, my 2013 Sebring gallery shot with my Olympus E500 can be found here.

And finally, sometimes you just pick up the camera and shoot – Madeline grabbed this dramatic shot in the WEC race at Turn 10

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